Requiscat in pace - Shri Shanmugham

Udal mannirkku, uyir thamizhikku
Ithai urakkacholvom ulagirkku

Vairamuthu’s from the movie Iruvar would have remained just lines if not for Sweet Uncle’s influence in my life. Any attempt to translate the lines into English would be a vain effort in conveying what it means. I was homeschooled to read and write Tamil, my Father was my Guru. He taught me the alphabets and how they were strung together to form words and how words lined up together to make sentences. However I owe it to Sweet Uncle for sowing the seed of love for Tamil in me, literature, poetry, movies and culture.

Shri Shanmugham, an employee of the erstwhile Cheran Transport Corporation, anointed Sweet Uncle by some cousins and workers of a press my Father used to own in the late 70’s. He never used to come without a box of Nellai Lala sweets when he came visiting and hence the name. I’ve known him all my life. He was a noble person who sometimes came across as a trite impatient at the world and it’s machinations.

His knowledge was vast & varied, he could regale anyone with stories about the Dravidian movement, hollywood movies, trade unions, Clint Eastwood, Bud Spencer, MGR, Shivaji, Gregory Peck, Omar Sharief, Kannadasan or Kalki. My childhood is replete with movies he’s taken me along, the best being Thevar Magan, which was a bit too violent when I saw it, but later was a movie that moved me by the sheer power of the actors on screen.

He wasn’t my classmate or playmate. More than 40 years separated us but that didn’t stop us from being friends.  My brother was ever his darling, affectionately called Renadi and pampered to no end. The distance kid bro took a walk with him in the Nilgiris when they went to attend Aunt’s wedding is a story he could narrate any day not to mention another detail around bro wanting to take a piss.

Sweet Uncle was a rare human being who was moved by human sorrow. He was a firm believer in the God and some saints, he was truly pluralistic in his religious outlook. His cycle was his prized possession and I vividly remember it took me many years to be able to get access to ride it. He was a collector, of books, magazines, paper cuttings and things like that. Sweet Uncle and Athai liked to serve food, to be kind and hospitable and no visit to their house was complete without more than a full stomach and heart.

As someone who urged me to read Kalki, more specifically Ponniyin Selvan, I owe it to him for having earned now the ability to appreciate Tamil and the vast literature that fills it. He could narrate a kural for any situation you ask. He could talk about the classic movies from the black and white era. I could never get him to say anything nice about the modern Tamil film music that I was exposed to, yet he had a liking for Kaviarasu but Kannadasan was his all time favourite.

The past few years have been harsh after been confined to the house all day and the loss of the grandson he doted so much on, life took a bitter turn. He recently was shifted back from the hospital to house after breaking a bone in the leg. This afternoon was a rude shock with the news coming in about his sad demise and a wave of images play in my head. Every single incident between us from the past. I on my part wasn’t able to make time for him as much as I would want and an impending change in the days ahead was going to help in that front but destiny had other plans.

RIP Sweet Uncle.

Inru un rojapoo mugathil muthamida ninaikiren,mudiyavillai
Mutti varum kanneerai moodivida ninaikiren, mudiyavillai
Poivaa nanba, poivaa
Un pakkathil enakkum oru padukkai virithu vei
Yendraenum orunaal unarugil naan varuvaen

*The lines above are Kaviarasu Vairamuthu’s from the movie Iruvar

The Sahara Force India Formula 1 team

Yesterday Force India announced the sale of 42.5% of the team to the Sahara group. Dr Vijay Mallya retains 42.5% while Michel Moi keeps 15 % of the remaining shares. This would mean Dr Vijay Mallya has given up 7.5% of his shares while Moi’s family has given up 35% of theirs. The whole deal is valued at $100 million which is offloading equity for more than double the price it was purchased. In Sep 2007 the old Spyker F1 team became Force India F1 (FIF1), the deal then was rumoured to be around $80 million.

Dr Vijay Mallya vehemently denied reports in the media about a possible sale 5 days ago, his statement was cleverly worded in which he said “As Team Principal, I will continue to run the team and I have no plans whatsoever to exit.” He continues to remain Team Principal while Subrata Roy becomes Chairman of the team. It’s a wonderful opportunity for Sahara to continue making new inroads with it’s branding effort. It already has high brand recall and visibility being associated with sports in India, cricket being the biggest and with Formula 1 it gets to create a new identity in luring the motor racing fan and in creating a new fan base for the sport in the country.

Its well known that the aviation business of the UB group is in a crisis with the airline defaulting on many payments and looking for cash infusion to keep them afloat. The partial sale of equity in the formula 1 team could be part of a long term plan for the group in finding a honourable exit from the extremely cash hungry sport. It’s also a clear indication of the Moi family’s intentions, from being 50:50 partner to retaining just 15% stake.

The media in India has been more than glowing in its coverage of the Force India F1 team, probably because of the UB groups big advertisement budget and Dr Vijay Mallya’s cloud. In the past I’ve pointed out how the Force India F1 team wasn’t “indian” at all. Atleast that part changes a wee bit with the Sahara group’s entry. The media hasn’t bothered to question Dr Vijay Mallya when he loudly claims he brought the race to India. They won’t ask him how his team is Indian at all except for all the Kingfisher models who show up in the paddock on race weekends. Let’s hope more engineers, technicians and eventually at least one Indian driver gets to drive a Sahara Force India Formula 1 car. Until then … let’s wait and watch.

Geo’s talkies – Departures (Japanese)

Departures was the winner in the best foreign film category at the Oscars in 1999. The movie is based on a novel titled Coffinman and was directed by Yojiro Takita and has English subtitles.

Daigo Kobayashi is a cellist with a modern Japanese orchestra which closes down due to lack of patronage. This leaves Daigo without a job and forces him to sell his costly and professional cello, move to the town he was born in to occupy the house left back by his deceased Mother. Daigo responds to an advertisement about a job with Sasaki and manages to bag it only to realize it wasn’t what he thought it to be. The job is to prepare dead bodies for burial, encoffination is the term used by some.

Reluctant Daigo learns the trade from his boss Sasaki, a man of few words but who portrays immense respect for the dead and living, who meticulously work on dead bodies with respect to wash, clean, clothe and make them look their best in the last few moments left on Earth. Daigo’s wife Mika doesn’t like his job when she get’s to know it, he becomes a pariah with the only other association he’s shown to have in the movie.

Daigo nurtures an almost perfect relationship with his boss and eventually learns to respect and practise his trade with art like precision. Having raised by a single mother, he nurses a grudge for his Father who deserted them while he was a child. His wife leaves him asking him to decide if he wants to continue the profession or live with her.

There isn’t too much dramatic tension in the narrative, all such setups are resolved before they can sink in. The movie has been shot very beautifully with classical or classical-like orchestral music to back up the shots. The third movement (popularly known as Ode to Joy) from Beethoven’s 9th plays in it’s full 6 track glory in the early section of the movie showing Daigo’s orchestra. Daigo find more music and looks inward as his learning of his trade progresses.

The ending reunites Daigo back with his wife and brings closure to his inner turmoil in a very nice way. The Japanese have made an art of folding paper, which goes by the name Origami. Even routine and mundane activities like manufacturing in an assembly line is practiced like an art in Japan. It’s hence not very surprising to see how much of a care and devotion is laid out to prepare dead people and give them a fitting farewell from this world.

There are many scenes that stand out due to content that’s emotional or soul stirring. A dead wife’s husband crying “Naomi”, Daigo’s boss Sasaki’s methods while working, Mika starting to take pride in her husband’s profession, the Japanese people’s liking for good food, all have been portrayed exquisitely. A scene depicting salmon trying to swim up a river while dead one’s float downstream is profound in meaning. The scene where Sasaki & Daigo show up 5 minutes late to be shouted at mirrors the fact that the Japanese are sticklers for punctuality.

Departures is a must watch on any movie lover’s list, for the way characters have been laid out and made to play; around the theme of mortal certainity, of death and loss, yet would make you exclaims “What a beautiful movie!” instead of anything negative.

Requiscat in pace – Malcolm & Carmel

Malcolm Simmons & Carmel Simmons, two lively people who could put a smile on anyone’s face. Lively, humorous and one of the nicer folks we’ve known. A road accident ended their time on Earth, they’ll continue now under God’s care. RIP.

The Monaco GP of 2011 – McLaren’s story

After making a good start Jenson Button did what a good driver would in keeping his position and setting himself up for an opportunity should one show up. He stopped slightly early for tyres, luck came in the form of a complete botch up of pit stops at Red Bull Racing and Jenson assumed race lead. By then the team appeared to have decided to run him on a 3 stop strategy. The second stop was one lap too early, getting onto super soft’s in hindsight seems to have contributed to what was in store there after.

Safety car was out, cars ran at speeds much lower than race levels saving tyres that much more and have tyres left for much more race distance and Jenson hadn’t use his primes yet. He had to pit one more time to change to primes which he did and caught up once again to the leader Vetter and Alonso who was frenetically chasing him down. A red flag, race restart and an unprecedented move of allowing cars repairs and tyre changes while they waited for the restart on the race track itself meant that Jenson would keep his 3rd position with no chance left remaining to give a go for the top podium spot.

Yesterday’s race might have given us different results if the two safety cars weren’t necessary. The other McLaren car has a different story to say. In the initial stages of the race Lewis was doing a good pace, he was on primes. An early brush with Michael caused some damage to his rear. He pulled off an excellent move on 5 time race winner Michael Schumacher. McLaren’s pit crew who usually do an excellent job let Lewis down at his stop, Lewis says he was asked to box and when he did the pit crew weren’t ready.

In the remaining period of the Lewis he demonstrated an abject lack of decorum and decency one would expect someone of his nature and calibre to have. Lewis tried to get into the inside of Felipe Massa entering Loews hairpin, Massa is no angel to go wide and allow him to pass, he’s racing too. Massa took his line and both cars brushed. They raced going into the tunnel fiercely and in the tunnel Lewis passed Massa who then loses control and rubs the walls coming out of the tunnel with a broken front wheel. Game over for him. Lewis said “I went up the inside and he turned in me on purpose” to his pit over radio, the message itself is baffling as if Lewis expected him to wait and let him pass. Lame that was.

On lap 74 Lewis tried to pull off another move on Pastor Maldonaldo who stood his line and turned at San Devote clipping Lewis off onto the kerbs and ramming into the barriers himself there. Maldonaldo’s race ended at that point, he was running 6th and would have brought home some much needed and deserved points. And then Lewis goes on to say “he turned in a good car length too early”, that’s absolutely ridiculous.

Lewis ought to know he’s racing people who are racing drivers too. Radioing to his pits or talking to the media about how everybody else is turning too early when he misses a chance to make a move and thereby causing an accident is the sour grapes story. The icing on the cake is attributing racist motives to the stewards’ decision, which of course he’s attributed to as a joke, Matt Bishop must have given him a lesson or two on what you say to the media.

This weekend is worrying for a McLaren fan, I’m sure it should be worse for the team. One is because if drivers go shooting their mouths off to the media in this fashion then where is the sport headed to. You got to accept defeat and mistakes with as much humility as you would take to success. Second is around some strategy decision the team have been making around pit stops and tyres. Third is Lewis Hamilton. It must be intensely frustrating being where he is, the pressure must be getting onto him, not to mention the girlfriend whose presence in the track almost certainly makes Lewis that much more aggressive. Don’t take my word for it, go to YouTube and see for yourself.

The red flag came in just moments before the McLaren pits said over radio to Lewis that he needs to drive back to the pits and retire because of the damage caused by the Torro Rosso to his rear wing was beyond repair. And then by some stroke of luck they are allowed to conduct repairs to the wing on the race track itself while being red flagged. Isn’t that a mighty stroke of luck ? Someone like Lewis shouldn’t forget the European GP of 2007 where a crane lifted him and put him onto the race track, check out 00:36 – 00:38 of the video link. There are lucky days, there are unlucky days. There are days when the machine behaves like it’s an extension of you and there are days when it’s a beast that doesn’t behave no matter how much you tame. We don’t need an English Fernando Alonso mate, we already have a Spaniard.

Martin Whitmarsh gives a measured response to the race to BBC, that eloquence and dignity is exactly what’s missing in Lewis’ ramblings. I hope the team talks to him and brings him back to the usually jolly fellow he is, the talented and aggressive racer, not this jerk that keeps ruining other people’s races and then says “these drivers are absolutely freaking ridiculous, stupid”. On the lighter side don’t miss this funny exchange between the Eddie Jordan, David Coulthard, Jake Humprey and a FIA official.

Note: This writer is a huge fan of Lewis Hamilton as his posts on this blog from the past would prove and has been following the McLaren Mercedes team’s Formula ONE races rather closely for over 1.5 decades. 

Christmas Day

Distant stars, at home up in the heavens.
Wonder what they see, are they watching me?
Christmas Star, you spin your strands of silver.
What a sight to see, are you there to guide me?
Star light, shine bright.
See me through the dark night.
Light mine, half way;
Guide me home for Christmas Day.
Midnight stars, they sail the sky in silence.
Hearing all they see, are they hearing me?
Christmas Star, you watch the world so wisely;
At my journey's end, will you be my true friend?
Star light, shine bright.
See me through the dark night.
Light mine, half way;
Guide me home for Christmas Day.
Christmas Star light,
See me on my way.
Light mine, half way;
Guide me home for Christmas Day.
(Composed by John Williams, Words by Leslie Bricusse, Featured in the movie Home Alone)

Formula 1 Season 2010 – Qualifying – Bahrain

After qualifying today the one thing that strikes me hard is Force India’s pace. I’m a known FIF1 baiter and looks like I’m going to eat a lot of my own words this year, inflation be damned. The pace shown by Adrian and Vitantonio is stunning and I hope they have a nice race tomorrow.

The silence of the Ferraris was expected, their pace today is a result of a good design and excellent talent behind the wheels. I’m so glad Felipe Massa has out qualified Fernando Alonso. Despite not setting scorching pace in testing Sebastian Vettel has taken pole for RedBull and Mark is starting 6th, expect nothing less from an Adrian Newey design.

Jenson Button was seen caught with under steer more than once, the McLaren’s are losing some race pace in the medium speed sections of Sakhir. Lewis manages to start the race in row 2 while Jenson will start from P8. It’s going to be a classic shootout from the start line between Fernando and Lewis, I hope they don’t get wrought in emotions and lose the car on turn 1.

The pace Robert Kubica is showing with his Renault is surprising, let’s hope he has a good race tomorrow. The heat, no refuelling, tyre wear and the uncertainty of the new rules and regulations in play make tomorrow a day where anything can happen. Over to race day everyone, I’m missing the Iceman already.

Pos	Driver	Team
1	Sebastian Vettel	RBR-Renault
2	Felipe Massa	Ferrari
3	Fernando Alonso	Ferrari
4	Lewis Hamilton	McLaren-Mercedes
5	Nico Rosberg	Mercedes Benz GP Ltd
6	Mark Webber	RBR-Renault
7	Michael Schumacher	Mercedes Benz GP Ltd
8	Jenson Button	McLaren-Mercedes
9	Robert Kubica	Renault
10	Adrian Sutil	Force India-Mercedes
11	Rubens Barrichello	Williams-Cosworth
12	Vitantonio Liuzzi	Force India-Mercedes
13	Nico Hulkenberg	Williams-Cosworth
14	Pedro de la Rosa	BMW Sauber-Ferrari
15	Sebastien Buemi	STR-Ferrari
16	Kamui Kobayashi	BMW Sauber-Ferrari
17	Vitaly Petrov	Renault
18	Jaime Alguersuari	STR-Ferrari
19	Timo Glock	Virgin-Cosworth
20	Jarno Trulli	Lotus-Cosworth
21	Heikki Kovalainen	Lotus-Cosworth
22	Lucas di Grassi	Virgin-Cosworth
23	Bruno Senna	HRT-Cosworth
24	Karun Chandhok	HRT-Cosworth

Geo’s Talkies – Kerala Cafe

Kerala Cafe is a collection of 10 short films filmed by different directors and technicians while Ranjith steers the overall idea and concept and also produces the film. I have to start this post with a disclaimer. The only other movies of similar nature I’ve seen are Paris, Je’ t aime & New York, I love you. Thanks to Joshua who made me see the former, the movie was very good while the latter wasn’t a laudable effort.

Ranjith is a prolific script writer and director who over the past decade or two exhibited expertise in writing scripts to cater to the masses and also scripts which tread the line between art and popularity rather carefully. Some stories he has written / adapted for the screen are lilting and poetic. The list of directors comprises people who direct popular mass entertainers and people who make sensible movies that appeal to the class audience. The central theme of Kerala Cafe is journey (yatra) and all short films incorporate this into their theme.

Nostalgia is the first short film starring Dileep, Navya Nair directed by M Padmakumar, shot by Anil Nair based on a poem Naaduvazhikal . Two minutes into this short film you are shaken by the contrast of feelings in the protagonist played by Dileep who is an NRI from Dubai visiting his hometown in Kerala. Navya Nair plays his wife is the cynic in the frame who sees through Dileep’s actions. Sudeesh plays the role of Dileep’s friend in his hometown who works as a waiter in Kerala Cafe.

Island Express written and directed by Shankar Ramakrishnan has been shot on film by S Kumar. Based on the derailment and loss of 100+ lives when the Island Express derailed from the Peruman bridge in Kollam district of Kerala, this film brings together characters who have lost a loved one on that ill fated night. Sukumari, Maniyan Pilla Raju, Jayasuriya, Prithviraj, Rahman, Geethu Christie and Kani play warm roles in this short, each one having lived through the loss visits the accident spot. Maniyanpilla Raju plays the role of the engine driver from the night of the accident, to even attempt to describe all the subtle emotions on his face would be an exercise in futility.

Lalitham Hiranmayam is the next short directed by Shaji Kailas, stars Suresh Gopi, Jyothirmayi & Dhanya Mary Varghese. Rajesh Jayaraman writes the story while GSujith Vasudev captures the visuals on film. Suresh Gopi and Jyothirmayi are a married couple with a girl child, disaster strikes in the form of a confession Suresh Gopi does to his wife about an affair he’s been having with Dhanya Mary Varghese. This short was the one big surprise to me personally, I never expected Shaji Kailas, known for mass masala entertainers, to demonstrate skill and craft in narrating the travails of a man torn between love in a manner that is poetic and subtle devoid of swooshes one is normally used to associate with his name.

Mritunjayam is a story by Ahmed Sidhique, directed by Uday Ananthan, shot by Hari Nair. It’s a thriller, an IB officer seeks the help of his half sister to crack a case of murder in a haunted old anchestral mansion. Thilakan as the custodian and Rima Kallingal as his granddaughter light up the screen. Anoop Menon plays the IB officer and Meera Nandhan plays his half sister. This short is full of solid thrills, be prepared to get spooked. Audiophiles can use this short to setup sound levels on their sub woofer.

Happy Journey stars Jagathy Sreekumar, Nithya Menon and Bindhu Panicker’s voice. Written and directed by Anjali Menon, this short has been shot by MJ Radhakrishnan. A lecherous co-passenger played  by Jagathy get’s the experience of his life when the teenager he’s been feeling up on a journey from Ernakulam to Kozhikode (Calicut) turns out to be a suicide bomber or so she says. There is palpable tension if you don’t double guess the direction the narrative is going.

Aviraamam written and directed by B Unnikrishnan, shot by Shamdat is the story of Siddhique and Shwetha Menon. IT businessman Siddhique is neck deep in dept due to the the recession. One fine morning he decides to take his life after packing off his wife and two kids to their grandparents house. There has to raw sensuality when Shwetha Menon is on screen in a Ranjith production, there is. However at the end of this short the difference between a good and bad actor is shown when Siddhique and Shwetha are shown on screen, one excels in conveying remorse, pain and the other leaves us confused.

Off Season is directed by Shyamaprasad, written by Joshua Newton, shot by Azhagappan. Suraj Venjaaramood narrates the story of a Portuguese couple which sorts of gives out an accurate picture of the backpacking foreigners we keep bumping into on trains and buses, the types that dont drive into a 5 star hotel the moment they land. This short is the funniest in the whole bouquet.

Bridge is a story by TR Unni, shot by Suresh Rajan and directed by Anwar Rasheed. It takes us in parallel through the life of a kid and an old lady. The kid adores a kitten with whom he plays, his Dad throws the kitten out of the house causing heartbreak to the little fellow. On the other side of the bridge is Saleem Kumar and Kalpana, dhobis by profession. They struggle to make ends meet and Saleem Kumar’s mother is getting too old to manage in a poor man’s house. The title is probably an allusion to the connection it makes to two different strata or segments in society.

Makal directed by Revathi is a story by Deedi Damodaran. Canned by Madhu Ambat, this short is a story of adoption, exploitation of the girl child where the naive and gullible are taken for a ride by the well heeled. One cant have anything less when someone as capable as Revathi is wielding the megaphone I guess.

Puramkaazchakal is an adaptation of CV Sreeraman’s story by Lal Jose, Vijay Ulaganathan plays the role of cinematographer.  Sreenivasan takes a bus to Chalakudy via Malakkapara. Midway through the journey joins Mammootty, who appears impatient and arrogant much to the irritation of the crew and passengers. Mammootty is the only superstar in India who doesn’t distract me from his role, any role he plays I see the character and not the star. In a master stroke of a narrative this is the best short in the whole collection to me.

A big thumbs up to Ranjith for this fine effort, this is a laudable effort and needs to be encouraged in the interest of good cinema.

Geo’s Talkies – Vinnaithaandi Varuvaya

Almost a decade after “Minnale”, Gautam Menon’s debut movie as a director in Tamil cinema comes another love story. The movies Gautam directed after the first weren’t out and out romantic movies though romance played a nice part in the overall narrative.

Initially reported by the media as “Chennaiyil oru mazhaikaalam”, the movie took the title of “Vinnaithaandi Varuvaya” when it was confirmed that Silambarasan was being cast to play the male lead. “Vinnaithaandi Varuvaya” is a nice warm love story, it’s takes you through the life of Karthik and Jessie. The former is a Mechanical Engineer by education who aspires to become a filmmaker, the parallels one can draw to Gautam’s education and profession are just too obvious.

Karthik also plays cricket and practices boxing as a hobby, which really turns out to be an excuse to a superbly set action sequence in the middle of the movie. Jessie is a young IT professional in Chennai, loves mathematics and we don’t get to know anything more about her.  Karthik is instantly smitten by her right from the first time he sees her. Of course, the fact that Karthik and his family live in the ground floor of Jessie’s house gives him ample opportunities to ogle at her every now and then.

So here’s the first act play out on screen, you have a premise and two smart, charming and beautiful people who inevitably have to fall for each other. What’s going to be different with this movie is that this is Gautam Menon’s story, someone who has fascinating attention for detail and can write at least some characters in 3 dimensions. So conflict comes in the form of 1) religion: Jessie is Syrian Catholic Malayali Christian and Karthik is Hindu, Vellalar; 2) age: Jessie’s a year older than Karthik; 3) will: Karthik is completely enamoured by Jessie while Jessie is slightly more of a realist.

Karthik get’s introduced to KS Ravikumar through Cinematographer Ganesh and get a shot at interning under him. How does Karthik convince Jessie about his love? Does Karthik break into the big league with his film making? These are core plot points whose resolution can’t be spelled out in a blog and spoil the experience for you.

Silambarasan as Karthik has tried his best to portray on screen his characters sans histrionics. He’s done a good job at emoting, however I still have bones to pick at his dialogue delivery. Trisha Krishnan as Jessie is a pretty sight, she emotes slightly better but has a long way to go in that department. I thought she looked awful in at least two close up shots.

Full credits should go to the director and the dress designer for dressing up Trisha in immaculate drapes of saris, superbly cut and fit salwars and some very elegant western attire. Babu Antony plays Jessie’s Father and Kittu plays Karthik’s Father.

The opening title sequences are innovative and appear to have been filmed on the Vembanad Lake, the same place where the Rajiv Gandhi snake boat race is held with much fanfare every year. Manoj Parahamsa has canned the backwaters of Kuttanad in all it’s splendour wonderfully for this movie, it can easily pass off as advertisement for God’s own country’s tourism department.

AR Rahman’s songs have already been a rage, this movie has one of his most complete background scores for Indian movies. I’m still not able to recollect a melody from the score however I remember enjoying their richness. They didn’t distract me from the narrative and they probably helped take the narrative forward. I got to mention about the 5.1 mix which wasn’t distractive even once, that’s rare for a Tamil movie and full credit for that should go to KJ Singh.

Finally kudos to Gautam Vasudev Menon on writing a nice warm love story which isn’t all sugary and fluffy and keeping it’s decent enough without the usual trappings of masala cinema like a parallel comedy track and an item number. “Vinnaithaandi Varuvaya” is an honest effort, worth watching in the halls for it’s clean content, decent performances and a nice love story.

Trivia:

1) Clever references to Rahman’s hit music pieces from the past, “Mustafa Mustafa” plays on when a reference to friendship is made between the lead pair and “Pa sa ni sa” (sung by Shankar Mahadevan) from Bombay is talked about in a similar scene where lead pairs eyes meet.
2) The church that is featured in this movie is St Mary’s Forane Church, Pulinkunnu, Alapuzha district. One has to drive down the Alapuzha to Changanasserry road to reach this place, probably 20 or so kms away.
3) For a change “Amazing grace” is played when Jessie is ushered into the Church for her wedding, usually it’s Wagner’s wedding march. Mendelssohn’s wedding march features in the song “Anbil Avan” though.
4) In Syrian Catholic Churches the engagement or manasuchodhyam is mandatory before a wedding. In the movie Jessie directly get’s ready to be married which can be considered a cinematic liberty.
5) Gautam Menon himself has dubbed for Jerry, Jessie’s brother. Chinmayi Sripada has dubbed for Trisha. Chinmayi’s tamil is spot on, but Malayalam leaves a lot to be desired. Case in point: First time when Jessie talks Malayalam on screen and then the lines she says at her Granny’s place when Karthik is in police custody.
6) Silambarasan continue his Ajith reverance with a reference to the Thalai and Billa in a conversation with Ganesh.
7) I’m wondering if the difference in age thing in this movie is yet another attempt at portraying Silambarasan’s own dalliance with the superstar’s elder daughter in the past.
8) KS Ravikumar steals the show in every scene he is featured in. Also nice self deprecating humour when Ganesh says to Karthik that Gautam Menon makes movies over a long time and with English dialogues.
9) St Alphonsa is seen in the frame in the dining room of Jessie’s house and at a bus stop in Pulinkunnu. Is this an attempt to hint the time this scene is set in? In 2009 Blessed Alphonsa was declared a Saint and could be seen at every nook and corner in Central Kerala.
10) Naga Chaithanya & Samantha play the lead roles in Telugu version of this movie, they also play a cameo in Karthik’s movie in the Tamil version.

We are the world 25 for Haiti

Fans of music have been stunned by “We are the world” written by Michael Jackson & Lionel Richie and produced by Quincy Jones for the group USA for Africa. This song featured Michael Jackson, Lionel Richie, Bruce Springsteen, Kenny Rogers, Cyndi Lauper, Bob Dylan, Ray Charles to name a few.

25 years later the co-writer of the song and the producer team up yet again to re-create the magic, to help raise funds for Haiti. Michael Jackson is no more and Quincy Jones is probably a tad too old for today’s consoles, synthesizers and other equipments, I’m kidding, this man can still work his magic on a record.

RedOne, is a producer-songwriter who collaborates writes-produces works for Lionel Richie, Akon, Enrique Iglesias, produces the new version, Paul Haggis shoots the video. This song features a whole range of artists from across the world, almost 75 is what the official website says.

Jamie Foxx, Nicole Scherzinger (Lewis Hamilton’s ex girlfriend, Pussycat dolls), Celine Dion, Barbara Streissand, LL Cool J, Jamie Foxx, Miles Cyrus, Josh Groban, Janet Jackson, Usher, Lionel Richie, Carlos Santana, Michael Jackson, AR Rahman and a lot of other artists.

The new rendition is as good as the old one if not better, I’m glad it didn’t end up like the “Mile sur” experiment conducted in India, that was a disaster. Aishwarya Rai strutting on screen lip syncing to Shreya Ghosal’s voice is unacceptable, by any weird suspension of disbelief logic. Rahman on the continuum fingerboard was lovely and so were many of the real musicians featured in the video.

Coming back to world25, to compare how long an artist features in a collaborative track is debatable. However Nicole Scherzinger getting the most frames in this song is a little too boring. She’s pretty but is she the best vocalist? Hardly. Jamie Foxx however does a nice Ray Charles gig towards the end of the song.

Apart from the rap towards the end there isn’t anything new done to the music. AR Rahman is relegated to the choir, no solo act and even in the choir he’s lost despite being on the front row. I personally feel AR Rahman should have produced the track as a whole or co-produced.

I believe AR Rahman could have added that extra bit or charm and clever interludes or orchestrations if he was enlisted to join the production crew, paucity of time could be the reason. Doesn’t bode well for Rahmaniacs like me. I liked the inclusion of Michael Jackson’s footage and Janet Jackson singing a duet with him.

If you wants to show some concern for the tragedy in Haiti and contribute towards the relief effort do buy this song from iTunes, don’t download it for free. If some of us can stand up for celebrity no-brainer causes like MNIK we certainly should do our bit for worthy causes like this.

Dosas in Ernakulam / Cochin / Kochi?

I can’t say how much I used to dread having to eat vegetarian food in Ernakulam (Cochin / Kochi) when it’s not the usual puttu, appam, idiyappam. Most hotels that have the Udupi tag in this city serve trash in the name of Dosa and hence when Benoy Chettan said “Let’s go to Pai thattu, they have a huge variety of dosas” I wasn’t quite enthused. Lijo Chettan came that night and said “Have you tried Pai thattu, I go there every night with Benoy, the dosas are amazing” and then I thought I should go there just once and see how the foods is.

Pai Brothers is on a small lane off MG Road, the lane is called Pai Brothers Lane and shows up within a kilometer of turning into MG Road from Banerji road. They’ve advertised that they have 36 types of dosas however their price list has more than double that number. There is no service at the table and guests are expected to pay first, get the bills and produce them at the cooking counter to be served piping hot dosa. Butter dosa, egg dosa, duck egg dosa, VOLVO dosa, family dosa, tomato onion dosa, kanchipuram dosa are some items which stood out from the usual masala dosa, onion dosa fare.

The dosas were tasty, the chutney wasn’t. The sambhar served with the dosas were very nice. A meal for two would cost anywhere from 150 to 300 bucks depending on if you want to eat 1 dosas each or 3. This eatery is open from 6 PM in the evening till 2 AM  early morning, Benoy Chettan says that it’s actually open till 4 AM. So the next time you are driving through this city and dread eating the dosas served in all the Udupi places head to Pai Brothers, just make sure it’s in the evening. Their address is:

Pai Brothers, Pai Brothers Lane, MG Road, Ernakulam - 35

Formula ONE Season 2010 Preview

McLaren get to retain number 1 & 2 on their cars this year by  poaching Jenson Button. There’s no doubt that he’ll drive car number 1 while Lewis Hamilton will drive car number 2.  Martin Whitmarsh takes additional responsibility as the Chairman of FOTA, the association of Formula 1 teams. Mercedes has taken over Brawn GP, Norbert Haug will get to play a larger role in the new team and Ross Brawn retains the role of Team Principal.

Michael Schumacher makes a return to active racing with Mercedes GP. Would anyone ever have imagined Michael S to don an apparel which had the silver arrows on it after such a long, passionate and successful sting in Maranello? The Tifosi are going to be disappointed, but I hear German pride will kick in this time. I feel sad for Felipe Massa, he earned his stars under the tutelage of Michael Schumacher and was blooming into an exquisite driver in his own right when fate intervened.

Felipe returns back to racing only to find Fernando Alonso as his teammate, this is the one big bit of ill luck I’d attribute to his career through out which he’s been denied a little luck. Though they won’t accept this, Felipe will be expected to play no 2 to double world champion Fernando otherwise we all know how it might end up given Fernando’s days with McLaren with a certain rookie named Lewis Hamilton who was making his debut in F1 in 2007.

12 teams are listed on Formula 1’s official website, which means we’ll see 24 drivers on the grid. A 13th team might just make it on to the tarmac eventually, and that’d most likely be Sauber who lost BMW’s backing and have been left to fend for themselves. The 2010 season will see the return of Cosworth as an engine supplier. Teams that commit themselves to the £40 million budget will get slightly more freedom technically and commercially. Lotus makes it’s return to F1, Campos and Virgin are the other two teams that will race in 2010.

Such teams will be allowed to run movable front and rear wings and also have an engine with no rev limit (current max is 18,000 rpm). Commercially there are more incentives like an annual payout of US$10 million, free transportation of two chassis and freight of up to 10,000 kgs in weight along with 20 air tickets for each event held outside Europe. These are certainly welcome moves which are bound to excite the new teams but will Ferrari or McLaren be enthused? That’s something we can all debate on.

The new season will also see a ban on refueling, cars will start with fuels to last a full race, I hope to see cars running out of fuel every now and then. The front tyres are slated to be made narrower, minimum weight of the car has been increased to 620 kgs (currently 605 kgs) and the points system has been revamped. 25, 20, 15, 10, 8, 6, 5, 3, 2, 1 point wait to be awarded to I, II, III, IV …… X positions on the grid departing from the current system of awarding points to the top 8 drivers.

Another interesting move to encourage overtaking is to ban wheel fairings, this year you won’t see those wheel cover like things on McLaren, Red Bull, Ferrari etc which have a vent to direct the hot air from the brakes escape in a particular direction which aids in increasing downforce making the air dirty for the car behind. Ron Dennis is expected to be seen more on the track now that Max Mosley isn’t at the top of the FIA, Jean Todt has already started discussions to find out ways to make Formula 1 more environment friendly.

Force India and RedBull haven’t change their driving line up and 19 drivers have been confirmed by the teams as off today:

McLaren	Jenson Button, Lewis Hamilton
Ferrari	Fernando Alonso, Felipe Massa
Mercedes GP	Michael Schumacher, Nico Rosberg
Red Bull	Sebastian Vettel, Mark Webber
Williams	Rubens Barrichello, Nico Hulkenberg
Renault	Robert Kubica, ???
Force India	Adrian Sutil, Vitantonio Liuzzi
Torro Rosso	Sebastian Buemi, ???
Lotus	Jarno Trulli, Heiki Kovalainen
Campos	Bruno Senna, ???
Virgin	Timo Glock, Luca di Grassi
???	???, ???

There’s also been a fair share of drama and outrageous ideas been exchanged. The czar who owns F1 wanted medals to be awarded instead of points and recently he was in the news for saying that cars should be allowed to use run off areas, alternate routes a certain number of times in each race to make up track positions. KERS is officially in the reckoning for 2010 however I believe the teams have mutually agreed to not use this system although the increased minimum weight should give sufficient leeway to teams with heavier drivers in trying this technology.

At the end of this year we’ll also know which direction Force India will tilt given the media attention this team gets in India. Will it be a productive year or will FIF1 end up in the also ran list? Currently they have a technical agreement with McLaren where Mercedes provides engines and McLaren supplies gearbox, electronics and other hydraulic systems. What’ll happen to this arrangement now that McLaren and Mercedes are two distinctly separate entities?

There is also news doing the rounds that double diffusers will be banned completely. Given the fact that Red Bull’s competitiveness is almost entirely due to Adrian Newey’s aerodynamics and a good part of that performance comes from it’s diffuser we’ll have to wait and see what the teams are going to do to play around the rules and try to squeeze that wee bit of performance from their respective cars. From next week we’ll start seeing new cars being unveiled.

I hope we get to see tons of good racing and at the end of a year have a worthy champion, over to Bahrain everyone, cheers !!!

Happy birthday - Roy J George

Dearest RJG,

I’ve asked you many things and you have done each of them for me. I’ve spoken to you about many things and you’ve been the best listener I’ve had in my life. There’s a lot we haven’t spoken, we exchanged those amongst us through silence. I’m sure you’d remember the day I was born. When I was a toddler you’d always keep saying “Kuttan give me a kiss” and move your cheeks away till I can’t lean any further. I do that with your daughter’s today, it looks funny to you, I enjoy every moment I spend with them. History repeats !

Do you remember the first cricket bat you had? It was “SYMONDS” and do you remember how you used to stoop and lean while facing a bowler exactly like Krishnamachari Srikkanth. During my school days your commentaries about West Indian bowlers and batsmen were the one’s that kept us hooked to the early morning matches on DD. I vividly remember all the night’s you’d land up our doorstep in Coimbatore and leave by the Eratupetta bus the next evening.

While in Muvattupuzha or Avoly all the cricket matches I and Kanja have been spectators are very fresh in memory. We were barely as tall as the stumps back then and were allowed to bat. We’ve watched umpteen movies on rented video cassette players. One night we even drove an OMNI into a stream, parked the car in the middle of the stream and washed it. I’ve never seen Ammachi go wild except when you ask her permission to watch a movie and your skills in getting her consent to take us to Latha to watch a movie are incomparable.

The visit to Newman college in Thodupuzha to meet Sr. Kunjuorshi Ammayee and all the young women there who’d line up to take a look at you were copied later in Minsara Kanavu with Aravind Swami playing the lead role. Your anti-establishment stance in Nirmala College and later Rajagiri College but still being a good guy to the Teachers was a skill any student would give one hand and one leg to possess. Did you have an iota of idea of where the MSW from Rajagiri would take you when you passed out of college in the late 80’s?

After you moved to the North we did meet up in Delhi every summer holiday. After diploma Sabarish joined us once on a trip to Delhi and he used to say that he had the time of his life in your and Josthy’s company. Every person I’ve known who knows you holds you in such high regard – James, Ravi, Ganesh, Sam, Timmy, Hari, Stanley, Pradeep and the list goes on. There’s hardly anyone I’ve known who isn’t in awe of your down to earth nature and the incredibly humble air you carry around yourself.

Do you remember the first road trip you did from Madras to Coimbatore when I came down the previous night to do the driving? It’s another matter that we ended up doing many such trips all the way up to the last trip we did to Vailankanni in August 2009 last year. What about “CHINATOWN”? Do you know what we ordered the first time we went there? Soup and chicken lollipop, and that’s because you had very limited pocket money as a student those days. We even took Mia to this place once and she loved it. Kanja and I went back to this place last year before he left India but these chaps don’t seem to open anymore.

Do you remember that ill-fated night when Ammachi left this world and you drove down from Madras and I took over from Coimbatore? Do you still remember how close the tanker lorry came in front of you and Kanja before Kanja swerved to the side and avoided a head on collision? “Kanja is a super driver, if not for his reflex we’d all have been hit” is what you said when you got down from the mangled vehicle. How could you remain so cool, calm and composed?

How many times we’ve have discussed prospective business opportunities? You even served a deadline to us: April 2009, and we decided to extend that for a little time more considering the volatile nature of certain things in our personal lives. You persuaded me to get married and settle down but not once did you try to give me a sermon about it.

There’s a T-shirt with GEO written on it which I haven’t worn till now, I got that from you in June and I intend to keep it that way for a while. Our visits to Burma Bazaar, the DVDs we bought, the music system we installed, the road trips we did, all the tech doubts you asked me, the blackberry usage training I gave you, the endless talks we had about AR Rahman, the way you enjoyed Malayalam movies and some Tamil movies, your devotion towards Mother Mary, the way you adore Mia & Mishma, the way you call Josthy “Kuttu” and enjoy it when I mimic it, the way you and Kanja discussed HR practices (as someone from an alien background I used to listen with amazement at the ideas you two shared), the books you read, the course you did with IIM-A, I can go on and on about every little thing that inspires me however I can’t write everything in one big post here. Like our real lives we’ll leave most of it un-exchanged verbally and sync at the levels of our soul, what else can you call the way we connect?

I hope you get a sense of what I’m trying to convey, if you can’t then nobody one else in this world can. Here’s wishing you a happy birthday. Don’t worry about things back home, everyone is ok. Mia & Mishma are doing well in their studies, Josthy’s a star and effortlessly seems to juggle all her responsibilities efficiently. This year I’ll miss not being able to wish you in person; I’ll miss not getting a treat and not going to Church with you.Hhowever our time to catch up will come. Do keep an eye out for us and tons of prayers.

Yours lovingly,

Kuttan (HJG)

19^th Jan 2010

Geo's talkies - In the Loop, Eeram, State of Play

"In the Loop" is a delightful British comedy on state of affairs in today's world which satirizes the machinations of world leaders and in the process provides solid laughs. This is a movie that highlights the complete ignorance, stupidity and pathetic levels of understanding that manifest bureaucrats in higher echelons of power.

A British minister who suffers from foot in the mouth syndrome, who thinks the war in Iraq is "unforeseeable". A Director of communications in the ministry who's got a vicious and profane tongue. Cross over to the US and you meet their counterparts who are scheming, silly and outright stupid at times and you have a sure fire recipe for laughter. This movie has a one line story, it's more about the actions that are weaved around it and the "impending war" a reference to the conflict in the middle east (Iraq). For the one's that like comedy that's not contrived or artificial this one is a must watch movie.

"Eeram" is a good movie to comes out from the stable of S Pictures directed by another newbie. All movies produced by this production house have had reasonably good content and neat execution and this movie is no different despite the paranormal tint in the story. A murder in an upper middle class dwelling raises eyebrows with the majortiy alluding to the woman's infidelity as the cause for it.

The fact that the investigating officer is a person who wanted to marry the woman murdered when he was in college adds to the intrigue and from there it becomes a case of 'whodunnit'. The ending is a tad disappointing however the movie is way better than most of the one's that get released every Friday.

"State of play" is a superb thriller which starts off with the murder of a staff in Senator Stephen Collins' office, this staff was the chief researcher for the committee which was reviewing a particular company's role in providing home land security, an example of in-sourcing if one could call it so. Things get murky when the senator's friend, a journalist with the Washington Globe investigates two murders and starts to see a link in them.

Things take a dramatic turn there and the movie hits out in many directions before reaching it's finale. This is a plot heavy movie which works incredibly well, a must watch for the one's that seeks thrills and suspense.

Geo's talkies - Kurbaan

At the outset I have to confess, I'm not a fan of all the movies that have come out of Dharma Productions. I don't like to be treated like someone whose brain is in a deep freezer. I also have to confess that I went to watch "Kurbaan" with a lot of contempt, I even argued with a friend about the quality of content that could be on screen. I'm glad I was proven wrong, the movie turned out to be a surprise, a rather pleasant one at that.

Rensil D'Silva's directorial debut turned out to be an engaging thriller worth the money you pay to gain admission into the theaters. Previously credited for the screenplay of "Rang De Basanti" along with Rakesh Mehra, Rensil writes Karan Johar's story for the screen and does it respectably. Here's a movie Bollywood can be proud off, here's an effort from Karan Johar's production house that'll partly answer all the criticism he's been getting from many sources, the harshest being the folks at PFC.

I don't want to spell out the story, it's about a Muslim man and Hindu woman falling in love, both are professors in a college in Delhi. They move to the US, the man going abroad to get the woman to return back to her US university job. A murder in the asian neighbourhood they live in and suspicious characters of a particular religion get's the movie to speed up. There are moments when you lose a heart beat following on-screen action, there is a lot of suspense and all's well does not end well.

Saif Ali Khan plays the role of Ehsaan, he almost underplays his character to terrific effort. He looks slightly older than the age he portrays on screen though. Kareena plays her role of Avantika to perfection, from being subtle she moves to forceful in a sublime sort of a way towards the end. Vivek Oberoi excels in the role of Riyaz, a journalist with a news channel despite intermittently botching up the accent when he has to speak like an American citizen. Diya Mirza plays Rehana and sticks out like a sore thumb amidst these acting talents, she's wooden to say the least.

Salim - Sulaiman have delivered a rousing background score to the movie with loads of silence interspersed. There's a lovely piano that's played to highlight certain emotions and a very country-sounding guitar is employed for the lighter scenes. I liked the background score more than the soundtrack which is good despite having the characteristic KJo rhythm patterns. I'd like to call the editing lazy, despite being a thriller the transitions between scenes aren't abrupt, they are gradual, works in a very nice way.

Of course parallels might be drawn by some to "Fanaa", "New York", "Khuda Ke Liye" however the similarity would just be the backdrop of terrorism that these movies are set to. "Kurbaan" refreshingly avoids taking an over-simplistic view of the subject, it doesn't give you a long sermon in the end about good and bad, it doesn't take sides, I loved this aspect of the movie the most. Another aspect is the lack of dumbing down the film and the absence of flashbacks for every single plot point.

There's a scene in the movie where the camera focuses to Kiron Kher's (A regular in Dharma Productions) face while she speaks about incidents in her life and in that one minute, you paint a picture of what she's talking about in your mind to such dramatic effect that introducing a flashback scene there cannot match what your mind portrays to you in response to the acting on screen. Kiron Kher and Om Puri excel in the roles they have been assigned.

Nakul Kamte's sound design is minimalistic, I can say this simply because in the South we are used to turning once in a while to check what's going on because of the sound that emanates from the surround speakers. When Saif and Kareena are having a dialogue on the roof top of a building about moving to the US there is silence in the soundtrack, clear dialogues, birds chirping, a hint of a breeze and many such atmospheric elements, nice work.

Despite the lack of a water tight plot, despite not being an overtly intelligent movie, despite being able to guess the twists beforehand, "Kurbaan" is a must watch for it's content, top class acting (the best this year) and a decent screenplay.

How far can you go?

They say a picture is worth a thousand words, this picture is the defining image of the relationship I shared with Roy J George, a brother of sorts. He was there in the hospital when I was born and I was there in the hospital when he died. He carried me from my Mother’s care when my life started and I carried him back to his Mother when his life had come to an end. 

I can’t describe how it feels inside me to be gazing at this moment, to look ahead and stare at a vacuum of uncertainty, a void of nothingness. Who will talk sense to me when I meander? Who will I try to emulate? I cannot believe that he is no more, I cannot accept that he’s left to be cared for by God and his chosen angels. I can’t simply brush this off as a stroke of ill luck, destiny.

His was not an age to die, his was an age to achieve and he did achieve a lot. Laurels from his fraternity, continual education, the best Father the kids could have and most importantly the most humble, humane and emphatic human being I have ever known. I won’t say I miss you, you know how much I do. Till destiny brings us together again, keep watching over me my treasured friend and get the angels to guide my thoughts, actions and words. 

There’s one place you always were, are and will be and no one can EVER steal you from there from me, not even destiny.

Erratum - Indians can win Oscars too - AR Rahman, Reesul Pookutty

In this article written right after Rahman and Resul won Oscar's this year I went on to say "AR Rahman is the only Indian to have ever won two Oscar's at the same show". This statement is not true, James Horner won two Oscars for 'Best music' and 'Best original score' in 1998. Thanks due to all my friends who pointed out this discrepancy and to James (not James Horner) specifically.

Formula 1 - How did it turn around? - A response

I usually try not to bother about how the press covers certain sporting events however this article in the Times of India is a good example of getting the facts wrong right from the word go.

The writer starts off by calling the erstwhile Spyker F1 team 'bedraggled and tardy'. Bedraggled they might have been but tardy, hardly. There's no space for tardy in the cut throat competition that exists in Formula 1. The writer should have known that Michiel Mol the co-owner of Force India also owned a part of the Spyker F1 team. Has he even heard about Mike Gascoyne who has worked with most of the F1 teams on the grid who was fired last year from FIF1?

The article goes on to say about the charm and convincing power of FIF1's team prinicipal. If McLaren were that convinced why was Simon Roberts taken aboard? Simon Roberts was McLaren's Operations Director at the time of being absorbed as COO in FIF1. Mercedes high performance engines was signed on as a engine supplier and McLaren would supply gearbox and hydraulic systems and also give on track support. KERS was available as an option which apparently FIF1 haven't exercised up till now. 

The only area where FIF1 has had to do some R & D was in the wind tunnel in Brackley which has a Jordan legacy attached to it. Of course the work these guys have done in the aero package has paid rich dividends in the medium downforce circuit that is Spa. Any one who has a decent understanding of the sport would invest in a windtunnel, that needn't be a good idea injust in 'hindsight'. The writer goes on to state that "Force India obviously found that important piece of the puzzle", pray what puzzle I ask? Isn't that a basic requirement if you want to run an F1 car in a competition?

The writer stretches his ignorance further by calling KERS "Kinetic Energy Restoration System" and "an ex McLaren brain" "Simon Peters". KERS my friend stands for Kinetic Energy Recovery Systems and the "ex McLaren brain" is Simon Roberts. A simple visit to FIF1's website would have helped the TOI writer to double check his facts. But that is just too much to ask isnt it because then he'd have also seen that not one name on 'the force' page is 'Indian' except the team prinicipal. In fact RIL (Reliance Industries) and the lovely women on Force TV (who apparently also double as pit babes) are what's only Indian in this Formula 1 team's website.

The icing on the cake is this statement -"Mallya has brought pride to a nation that has achieved a lot but has never been associated with this technology driven sport". Can someone please say what brings pride to a nation that doesn't have engineers this team thinks are talented enough to work for them, that doesn't have an F1 driver this team thinks is good enough to drive for them? As somone who has been following the sport since 1997 I take great interest in the sport. It's nice to see FIF1 make such a great improvement to their running, but to call it an achievement to India, to run cover story on our newspapers and to expect that all Indians should take great pride in it is simply stretching things a bit too far.

Imagine the amount of revenue a team can make if it converts even 1/3rd of the cricket crazy sports fans to watch F1. How much more sponsors will line up to support the live coverage of the sport? The bidding price for live coverage in Asia would run into billions of dollars, look at the broadcasters competing for cricketing rights. Force India is a Formula 1 team owned partly by an India but to paint the car in the colors of my national flag and to even expect me to applaud it's achievements only because it's 'supposedly' Indian is a fallacy.

Geo's Talkies - Kaminey

This is going to a little difficult, trying to write about a movie I enjoyed completely without spelling out it's plot. 'Kaminey', the newest Vishal Bharadwaj movie comes with a lot of baggage. The man at the helm of affairs doesn't treat the audience with kid gloves and is adept at making movies for kids and adults with such aplomb that you wonder if he suffers from multiple personality disorder, and I'm not even talking about the fact that he writes his own music.

'Kaminey' is Vishal's take on the time tested hindi movie 'twin brother' plot. The movie is a roller coaster with lots of thrills, it's twisted and take off into various directions, however the grand finale comes across as fitting. Charlie and Guddu are identical twins who are opposites. The former has a speech impairment which makes him pronounce 's' as 'f' and the latter stammers. Charlie works for a group of Bengali Brothers who fix horse races while Guddu is associated with an NGO. Guddu is caught in a situation when he impregnates Sweety during an outing, the irony here is that the song just before this revelation is about protection, condoms and AIDS. Sweety is the sister of a linguistic chauvinist who mouths 'jai maharashtra', whose name is Bhope Bhau. Bhope cannot fathom the fact that his sister has fallen for a guy who is an outsider, another lovely piece of screenplay where Guddu's real name Sanjay Kumar Sharma (hails from UP) is portrayed on screen.

Any more of the story would really be a farce, the movie is best enjoyed on screen. It takes about half hour in which about ten or so characters are introduced on screen and you might end up wondering what's going on. But you got to let the movie play out and by the time it's interval you are almost familiar with everyone. This movie is infested with 'kamineys' in the form of drug lords, cops, politicians and what not.

This movie also is so grounded in today's world, the world where a guy from UP is perceived as an outsider in Maharashtra, a world where Trivandrum has become Thiruvananathapuram, Bombay, Mumbai, Calcutta, Kolkata and so on. There's a lovely scene between Sweety and Shahid on screen where she proclaims her love for him using the city names (read politically correct), Vishal can combine love and politics so subtly into the screen play. Charlie and Guddu's Father who hails from UP works for the Railways, the anti-narcotic squad cops who are hand in glove with the drug trafficking mafia are some examples.

Trains play an understated role in this movie, some of the sweeping moment in this movie are framed on screen with a train passing by or still which almost plays conscience or mirrors the flow of thought in the head of the character on screen at that particular time. Colours in the movie are muted to give it a noir feel I suppose. Most of the filming is done using the steadicam which transports you right into the action.

The writing is probably the star of 'Kaminey', every character get's his/her own time on screen and it takes a while to get used to this kind of exposition. Shahid has done a superb job of portraying Charlie & Guddu and almost makes us believe that they are two different people, Priyanka finally has done very good acting. I believe they've used sync sound in which case the work done capturing sounds and dialogues are amazing. Amole Gupte (hint: Taara Zameen Par) excels in the role of Bhope Bhau. There are many more people who have played their part to perfection. 

Tassadaq Hussain's camera work is exquisite. Vishal's music is as much a star as the writing of this movie. The background score complements the narrative without screaming for attention, a quality that is rare. This is one of those movies where you have someone in charge who is sure of the direction he wants to go and comes out with flying colours in his effort. Vishal's fascination for Shakespeare is well known, he's done a brilliant job of adapting Shakespeare to the Indian milieu in two of his previous outings. On this one he's tried to incorporate some plot elements of the Bard along with screenplay elements of Robert Rodriguez, Quentin Tarantino, Guy Ritchie and the like. A nice song plays in the background during the gangster show down in the very end almost like the title song in 'Omkara' which was filmed with scenes of action and violence.

I'm not going to talk about the laconic black humour that is lined up in almost every scene, they keep the laughs coming. The result is an excellent movie which keeps the viewer enthralled during it's playing time and doesn't indulge in insulting the viewer's intelligence by playing out long drawn flashback sequences for every plot twist. Bravo Vishal, can't wait for the next movie which would complete his Shakespeare trilogy.

Timesheet - Coimbatore to Bangalore - A duet

Coimbatore to Bangalore - A duet

After posting the distance chart for the drive done on the 12th July I was compelled to repeat the same drive via Sathyamangalam and make another one. This time there was Kanja for company and we started after tea from Coimbatore. We chose to take the Sathyamangalam route to get to Mettur instead of the Avanashi to avoid getting stuck in the evening traffic. I finished 175 kms of my drive upto Mecheri in 2 hrs 56 mins, the average speed works out to a lacklustre 57 kmph. Kanja did 176 kms of his drive from Mecheri to Silk board in 2 hrs 15 kms, the average speed works out to a very admirable 73 kmph. Here are some quick facts:

Route: Coimbatore to Bangalore via Annur, Sathyamangalam, Anthiyur, Mettur, Thoppur, Krishnagiri, Hosur

Departure: 26th July 2009, 1713 IST (Sungam Bypass, Coimbatore)

Arrival: 26th july 2009, 2305 IST (Viveknagar, Bangalore)

Total distance: 357 kms

Time taken: 5 hours 52 minutes (includes a 10 minute stopover for tea at Mecheri)

Avg speed: 61 kmph

Avg speed after deducting break time: 63 kmph

Fastest sector: Thoppur to Krishnagiri (NH7) - 85 kmph

Slowest sector: Mettur dam to Mecheri - 37 kmph

Fuel consumed: 23 lts (Petrol)

Mileage: 15.5 kmpl

Silver arrows beginning to shimmer ...

It was terrific to see a McLaren driver back on the podium after China last year. Lewis Hamilton drove a near perfect race after gaining lead when Fernando went to the pits for fuel. Mind you, he didn't set the fastest lap nor did he speed away from the rest of the pack, he controlled the race from the front without giving any heartache to his crew in the paddock. It was evident from Germany last weekend that McLaren's upgrades were starting to deliver the performance they so badly needed. However it's yet to be seen if it's the nature of these slow corner ciruits that is masking the inefficiency of the aerodynamics on the McLaren's care which would be obvious in high speed corners where the Brawn and RBR cars simply fly through.

This year the FOTA teams are following a compulsory 2 week closure of their factories to allow their staff take a break in the middle of the season. In Valencia we should see some more performance enhancements done on the McLaren. When everyone was losing their patience with KERS McLaren and Ferrari didn't trash their KERS programme and the result was amply evident for everyone to see. McLaren get's the distinction for being the first ever KERS equipped F1 car to win a race, having trashed KERS it's high time BMW looked into the whole package and see how they could use it to better their vehicle's performance.

In 2007 McLaren was at the center of a storm in Hungary which was later termed as 'pitlane-gate' by some journalists. Fernando caused a problem impeding Lewis' pitstop by staying put after refuelling thus causing a delay in refuelling Lewis' car. This season it was Felipe's turn albeit a ghastly one at that. A damper spring which fell off Rubens' car floated in the air and hit Felipe, who was about 4 seconds behind Rubens, on the left eyebrow causing him to ram into a tyre wall. It was scary to see the driver motionless in the car till the medics carried him out of it into an ambulance. 

Fans of F1 are so used to see drivers get into worse accidents and walk out of the incident unscathed due to the extreme levels of stress on safety that this incident brought back the fact that in racing human's were involved. Timo Glock's crash in Aus 2008 was terrifying and when Timo walked out of the wreck without any injury it was a testimony to the high levels of safety that are enforced in F1. Felipe's accident could start off a debate about having a canopy to shield the driver, I hope better sense prevails when making a decision on this aspect. 

I hope Felipe gets well soon and is racing fit without any delay and turns out terrific performances in the GPs he gets to participate this year. I hope Martin Whitmarsh, having tasted his first ever race win as team prinicipal goes on to lead the team into more successes this year and put in a superior development effort into next year's car. I hope Formula1 remains this pinnacle of automobile engineering and continues to break new grounds through innovation and persistence. Am I hoping for too much?

Timesheet - Coimbatore to Bangalore - Driving alone

Coimbatore to Bangalore - Driving alone

After almost a year I was going to drive from Coimbatore to Bangalore without a person for company. This time the vehicle was Maruti 800, the old warhorse which has clocked 1.5 lac kms in the odometer. Left home after tea in the evening hoping to get to Mettur by night fall. Got to Trichy road from home and took it to reach L&T toll gate in Chintamanipudur. Drove past the toll to Avanashi via Nilambur and Karumathampatti. Early evening traffic on the two laned NH-47 made the drive tight and packed though I got to Avanashi with 6 minutes to spare for an hour.

A block in the usual Mettupalayam road junction got the traffic stacked up in Avanashi town. After reaching Chengapally the drive was faster in comparison and it took just 30 minutes to cover 44 kms to reach Bhavani. The drive towards Mettur via Ammapettai was marred with shoddy roads and diminishing day light. The clock showed 19:12 IST when exiting Mettur dam and taking the road to Thoppur. The distance of 84 kms from Komarapalayam to Thoppur 4 landed road junction took 90 minutes, the average speed worked out to 56 kmph which is not bad given the heavy traffic and twilight conditions.

Joining the NH7 at Thoppur was relieving, the next 9 kms to Thoppur L&T toll gate took 10 mins and I stopped for a much deserved rest at Adyar Ananda Bhavan (AAB), the first stop coming after 198 kms. After a 30 mins dinner break I rejoined the road. The second leg of the journey was quicker due to NH7 and the general dislike for the night by most on the road helped speed the journey up, 44 minutes and 66 kms later I got to the NHAI toll booth in Krishnagiri. The clock showed 21:14 ISt and I had 87 kms to cover before calling it a day.

Driving to Hosur from here took 40 minutes (47 kms) and a small traffic holdup on the road in front of the inter city bus stand took a good 10 minutes to clear. After another 51 minutes I managed to cover the remaining 40 minutes of the journey to reach home and doze off into the night. Here's a quick stats cheat sheet.

Route: Coimbatore to Bangalore via Avanashi, Bhavani, Mettur, Thoppur, Krishnagiri, Hosur

Departure: 12th July 2009, 1634 IST (Sungam Bypass, Coimbatore)

Arrival: 12th July 2009, 2246 IST (Viveknagar, Bangalore)

Total distance - 351 kms

Time taken - 6 hours 12 minutes (includes a 30 min stopover for dinner at AAB, Thoppur)

Average speed - 56.6 kmph 

Average speed after deducting break time - 61.6 kmph

Fastest sector - Thoppur to Krishnagiri (NH7) - 66 kms in 44 mins (Avg speed - 90 kmph)

Slowest sector - Hosur to Silk board - 34 kms in 37 mins (Avg speed - 55 kmph)

Max speed achieved - 140 kmph

Fuel consumed - 18 lts (Petrol)

Mileage - 19.5 kmpl

Requiscat in pace - Michael Jackson

The undisputed 'King of Pop' and one of the largest selling artists in the history of modern pop music Michael Jackson died of cardiac arrest in California today. The death of this star leaves a huge void in the minds of his fans. Michael Jackson was the undoubted leader in fan following whose life was very controversial but never his music. MJ is the winner of 13 Grammy awards and is rumoured to have sold 750 albums across the globe.

Bad, Thriller, Dangerous, Blood on the dance floor, History turned into record breaking albums as did Michael's popularity. With such great hits as 'Bad', 'Smooth Criminal', 'The way you make me feel', 'Beat it', 'Billie Jean', 'The girl is mine', 'Jam', 'Dangerous', 'Heal the world', 'Remember the time', 'Black or white', 'You are not alone', 'Scream', 'Stranger in moscow', 'Earth song', 'Cry', 'Speechless', Michael's knack for churning out lilting melodies and beat heavy songs earned him millions of fans.

My brother and I used to wonder if Michael would ever get back to his old self and give his fans one more best selling album despite the lacklustre sales of 'Invincible' which was released after MJ walked out of Sony over a dispute about publishing rights of his music. The music company which has a separate division for MJ (Epic Records) didn't take this kindly and a lot of bad blood was spilled over in the media. 

Jam Jam

Here Comes The Man

Hot Damn

The Big Boy Stands

Movin' Up A Hand

Makin' Funky Tracks

With My Man

Michael Jackson

Smooth Criminal

That's The Man

Mike's So Relaxed

Mingle Mingle Jingle

In The Jungle

Bum Rushed The Door

3 And 4's In A Bundle

Execute The Plan

First I Cooled Like A Fan

Got With Janet

Then With Guy

Now With Michael

Cause It Ain't Hard To...

That was Heavy D's rap in 'Jam' from the album 'Dangerous'. To call MJ a phenemenon would still be an understatement. His command over rhythm programming and orchestration was second to none in the pop arena. In an age where an artist had to depend on a producer to score the music, MJ belong to a elite group who most often wrote their own music. MJ started off his career with Quincy Jones producing his songs. This trend changed with 'Dangerous' after which he co-produced his albums with Bruce Swedien, Bus Kohen, Ted Riley. R Kelly started working with MJ from History onwards, 'Cry' from 'Invincible' was also a collaboration with R Kelly. 

MJ's song 'Will you be there' featured in the movie 'Free Willy' was counted to be one of the all time best songs to be associated with a movie. MJ's personal life was troubled all through. He converted to Islam in November last year and came to be known as Mikaeel. He was working on an album with Steve Porcaro in Bahrain, he's known Steve since his Thriller days. MJ was on track to perform live from the 13th of July which would have signalled his return to the live stage. The voice has been silenced, we won't get to see any more moon walks. I've seen the legend at it's peak and then being overshadowed by lesser mortals whose music though mediocre in quality was louder than MJ. 

Did MJ not anticipate the changing tastes of new generations? Why couldn't he transform into a trendsetter like he did in the late seventies, eighties and early nineties? Was there ever a performer like MJ who could set the stage on fire? Will there ever be one? I sincerely hoped MJ would come out with just one more album and silence his critics, captivate this generation and cast a spell on them, but alas that's not going to happen anymore. This not even if the album he's been working on is released. With hearfelt prayers I mourn the loss of my musical hero, someone whose string and voice arrangement still gives me goosebumps, whose moonwalk on stage could prompt me to get up and shake despite the fact that I have clay feet. Michael, we'll miss you, our prayers will always be with you. 

Like A Comet

Blazing 'Cross The Evening Sky 

Gone Too Soon

Like A Rainbow

Fading In The Twinkling Of An Eye

Gone Too Soon

Shiny And Sparkly

And Splendidly Bright

Here One Day

Gone One Night

Like The Loss Of Sunlight

On A Cloudy Afternoon

Gone Too Soon

Like A Castle

Built Upon A Sandy Beach

Gone Too Soon

Like A Perfect Flower

That Is Just Beyond Your Reach

Gone Too Soon

Born To Amuse, To Inspire, To Delight

Here One Day

Gone One Night

Like A Sunset

Dying With The Rising Of The Moon

Gone Too Soon

(This song was written for Ryan White, a young victim of AIDS, by Michael Jackson in 1993)