Vidhu Vinod Chopra is one of the few directors in India who’s got it all to call himself a good director. His movies have had good music, excellent cinematography and a good script to take the story forward. For the novices, he roped in Sanjay Leela Bhansali to direct his songs in ’1942 A love story’. The script is credited to him in this movie and he’s done the screenplay with Pradeep Sarkar. Who is Pradeep Sarkar? With over a 1000 ad movies under his belt, Pradeep Sarkar is the director of this movie. I wonder if a non-Bengali could have done justice to this story.
The original story ’Parineeta’ (Married woman) was penned by Saratchandra Chatterjee, the same person who did ’Devdas’. It begins in 1962 in calcutta where we see Shekhar getting ready for what appears to be his wedding. 30 seconds into the movie a jump cut takes you to what’s running on his mind and that’s Lolitha, his childhood buddy and sweetheart. Lolitha as we later understand has grown up with Shekhar and they’ve been close to each other as cheese and bread. Her parents die when she’s young and she grows up in an uncles place who are Shekhar’s neighbours.
The original story ’Parineeta’ (Married woman) was penned by Saratchandra Chatterjee, the same person who did ’Devdas’. It begins in 1962 in calcutta where we see Shekhar getting ready for what appears to be his wedding. 30 seconds into the movie a jump cut takes you to what’s running on his mind and that’s Lolitha, his childhood buddy and sweetheart. Lolitha as we later understand has grown up with Shekhar and they’ve been close to each other as cheese and bread. Her parents die when she’s young and she grows up in an uncles place who are Shekhar’s neighbours.
Shekhar’s father, Navin is a construction baron as it’s typical to people from West Bengal. He’s a man known for his ruthless ambition and strict demeanour. Lolitha has an adorable sister, aptly enacted by Raima Sen. She’s always full of life. Enter Girish, almost God like and acts like a saviour, helps Lolitha’s uncles family out of a financial mess antagonising Shekhar’s Dad in the process who manages to engineer a split between the lead characters. Shekhar ends up loosing the two things he loved most in his life, his music and his wife.
Did I say wife? You need to see the movie to know how Lolitha becomes Shekhar’s wife, the scenes depicting this are sheer poetry. Shekhar meanwhile agrees to wed Gayathri Tantia, the daughter of another wealthy baron. At this point the story comes back to the present. Girish’s one sided love for Lolitha, Koel’s (Lolitha’s sister) admiration and crush on Girish, Shekhar’s love for Lolitha and Lolitha’s love for Shekhar, everything is so nicely portrayed in the movie without going over the top. Everything is so subtle but clear.
Though the movie goes back and forth in time, there in no difficult in the audience understanding the transition because of the beautiful execution hence removing the need for ’some time ago’, ’present day’ etc. The strength of this movie is that it is based on a solid foundation, i.e., the original book written by Saratchandra Chatterjee. The screen writers have adapted the story beautifully to the 60’s, the book is originally set in the beginning of the 20th century. Production design by Apocalypse Filmworks, Pradeep Sarkar’s ad company, is top notch. A lot of hard work and money has gone into re-creating Calcutta of the sixties.
Saif Ali Khan who portrays the role of Shekhar brilliantly bringing out the repulsiveness, angst, jealousy, short temper and shows that he’s pampered but with infinite love for his beloved which is understated. If one wonders how can Saif fit into an almost period character this one is a sterling example. Sanjay Dutt is all that Saif’s character is not, we have seen him in similar characters in the past, this is is unique though. Vidya Balan enacts the role of Lolitha to perfection, at one point she makes you feel so bad for the dialog writers because you end up only seeing her, we can hardly listen. She brings out myriad amount of emotions and subtle gestures on her face which light up the screen.
Sabyasachi Chakravarthy plays the role of Navin Rai to perfection, one needs to pay attention to the effortless transition he makes between Hindi and English on screen. He looks, lives and breathes life into his character. There’s nothing one can blame on the actors, this should be one of the movies with the most appropriate cast who don the roles to perfection. Cinematography by Nataraja Subramanian (he’s worked with Pradeep on ads before) captures Calcutta for what it is, Howrah bridge in dusk, Trams on the road, large havelis lit up to show all their splendour, darkness that seem like they are being drawn on screen while they are actually the absence of light. A thousand standing ovations to the cinematographer for the brilliantly capturing the visuals on screen.
Another aspect that strikes you is the use of sound. I saw this movie on a DVD that had a dts encoded soundtrack. When one says dts, immediately you hear helicopters going all over you, gun shots, woosh’s, etc come to one’s mind. This movie is a good example of using technology to create a wholesome ambience sans the loud sound effects one usually relates to it. When you see something on screen, you also hear it. Good use of sound helps in taking the audience right into what’s hapenning on screen, the durga pooja in the movie is an example of this aspect. Biswadeep Chatterjee scores full marks for sound design and recording.
If I have to pick a bone at the director, I’d say the ending was a bit over the top, especially the main guy demolishing a wall with people around him going ’do it Shekhar’, ’come on shekhar’. The speed at which things move when Shekhar get into business is real fast and the director hasn’t wasted any time in developing that part of his character. Diya Mirza essays the role of looking good as Gayathri and nothing much to say about her, we don’t expect much either. Rekha comes in a nice cameo as a Jazz singer in Moulin Rouge, nothing much to talk about it except that she’s done a good job.
Music director Shantanu Moitra has excelled in the simple and hummable tunes he’s created. They are appropriate and fit into the movie perfectly.Pradeep Sarkar is the man of the moment in this movie, all his experience has gone into making this movie which shows. A man who is making his first feature in his early 50’s is not an easy task, but all the experience he’s had has shown in getting the screenplay done and keeping off from the in-your-face commercial tamasha.
On the whole ’Parineeta’ is surely one of the best modern movies that are commercial but still try to strike a balance between what’s logical and aesthetic without getting over the top and crass. ’Parineeta’ is a class apart from the usual bollywood fare, now for all you who are curios about what hapenned to Shekhar’s wife, does he get her? What happens to Girish’s love? Where does Koel fit into all this? Go see the movie or still better buy a VCD or DVD, it sure is worth the price.
[Published originally on the 13th of October 2005 on mouthshut.com]
