Geo's Talkies - Ghajini

It's nice to see the menacing villian return to the screen in a hindi potboiler. Ghajini for one could be the first movie that's named after the antagonist which is not only what's not seen normally but also unique when you have a superstar playing the role of the protagonist. Ghajini should have been called Sanjay or Sanju (Bah, I'm kidding !!!!).

Sanjay Singhaniya (Aamir Khan) is a foreign educated industrialist who is at the helm of affairs of AirVoice a mobile service provider. Kalpana (Asin Mary Thottumkal) is a small time model doing ad shoots for Tinnu Anand. Kalpana is bubbly, ready to help and full of joy. In a classic case of mistaken identity during the course of an interview with a journalist from a yellow magazine Kalpana blurts out that she's Sanjay Singhaniya's love interest. Sanjay is furious at all the press he's been getting and sets out to meet Kalpana only to be floored by the lady in red tops and white pants. They become friends with Sanjay choosing not to reveal his true identity to Kalpana not knowing how she'd react to it.

Sanjay proposes to Kalpana who accepts his love after some introspection not knowing that this was the real Sanjay indeed. A chance encounter with some child trafficers on a train get's Kalpana right into the eye of a huge organ harvesting and human trafficing storm which eventually get's her killed right in front of Sanjay's eyes in a gruesome manner. An attack on Sanjay during this episode removes his power to remember leaving him just the capacity to remember anything for 15 minutes at a stretch. This is not the real short term memory loss but it's okay, it's not meant to be a documentary.

Director AR Murugadoss has acknowledged the inspiration from Memento directed by Christoper Nolan. I wouldn't see why he'd have to do that, Memento had a non-linear narrative, Ghajini is pretty linear with flashbacks intercut into the narrative. Memento demanded some serious viewing and worked the brain while Ghajini is a movie that demands your logic to be left at home and good it's so. Ghajini has everything packed into an almost 3 hr theater experience, there's action, romance, thrills. Weren't these what were part of a good hindi fare? As an entertainer Ghajini does entertain, it's not a serious movie, it's a sandwich which is pepperred with everything for everyone.

Aamir the 'superstar' shines in Ghajini especially in the scenes where he shows rage and animalistic behaviour when he recollects his past. This is the Aamir Khan that set's the cash registers ringing. Asin is okay as Kalpana, she does go over the top and in atleast two instances sounded like a (cliched) Madrasi (despite hailing from Ernakulam). I'm sure everyone would love the bubbly person she's portrayed on screen. How far can she go in an industry that is never in short of bikini clad cleavage exposed hip gyrating actresses remains to be seen. I did not see an iota of romantic chemistry between Aamir and Asin on screen which didn't augur well for the experience as I'm supposed to weep with the hero. Jiah Khan is adequate in the role of Sunita, a medical student who get's interested in Sanjay's case. Pradeep Rawat plays Ghajini is menacing and outright scary, you don't ever want to see him in real life.

Ravi K Chandran's superlative camera work takes Ghajini to another level. The songs are exquisitely shot and the color palette always fits the mood of a scene. The very last frame of the movie is a DOP showing off what he can do with nature and photoshop (not really !!!). Anthony (from the South) has edited the movie, I thought some of the cuts were annoying, especially the fast one's. Anthony probably saw only the action part of this movie and forgot that at it's core was a sweet romance, decent job though. Sound design has been credited to Resul Pookutty and H Sridhar was also working on this movie till he passed away in Dec 2008. The sound at times was too loud which is typically how our theaters set up the volumes but the sound design part of it sounded spot on, given the fact that this movie was shot in sync-sound. Peter Hein's (and Stun Siva who took over when Peter left) action is well choreographed.

Ghajini is surely worth a watch with it's heady mix of romance, thrills, suspense, music and action.

Trivia

# AirVoice headquarters shown in the movie appears to be Ascendas Tech Park, ITPL, Bangalore. Since AOL, Bangalore was credited in the beginning of the movie the office shown in the movie is probably AOL's support floor.

# Aamir uses Samsung cell phones throughout the movie.

# The closing action scenes have been shot in Hyderabad.

# In Asin's introductory scene where she's shown helping physically challenged school children leaves keep falling which look like 'maple', has anyone seen maple leaves in India?

Geo's Talkies - Bommalattam

"Yen iniya Thamizh makkalay, ungal paasathirkuriya Bharathiraaja pesugiraen". When Bharathiraaja addressed the audiences in his movies at it's opening with his characteristic line it was a promise of good cinema, one could be sure that here was a fare that was going to be earthy and entertaining. Kizhakku Cheemaiyilae, Karuthamma, Kadal Pookkal, Anthimantharai, Muthal Mariyathai, Kadalora Kavithaigal were good examples, I've deliberately left out movies that were made and released before 1985.

This movie tells the story of Rana played by Nana Patekar, a fiercely passionate movie director, almost a reel life version of the real Bharathiraaja. He's shown to be prone to temper tantrums, has a wife who is not giving any respite. Inside the man is a person who loves cinema completely. Minutes before the preview of his newest movie 'Cinema' the heroine of the movie is killed in a car accident with Rana escaping, the audience is made to believe that this was a murder? Why? What's the motive? Why would a skilled director like Rana commit a murder without an alibi? The mystery unfolds in the closing moments of the movie attempting to keep the suspense alive until then.

I won't even tell about Arjun who plays Vikram, a "CBI officer". It's good to know that the CBI does the investigation of accident deaths in Chennai city. The Chennai City Police is probably too busy with the traffic arrangements that they've outsourced this task to the CBI. How else could you explain Vikram showing up on the accident spot minutes after the accident? Or maybe CBI stands for Chennai Bureau of Investigation, you'll never know with names mind you. It was Madras before, it's Chennai now. Coimbatore was Kovai always, so was Tiruchy (Trichy), Thanjavur (Tanjore), Puduchery (Pondicherry), it's very likely that the C in CBI was Chennai and not Central.

If this was a movie written and directed by a debutant one could give him a chance for goofing up the car numbers when Rana is chased by the press before the launch of his movie, the front of the car's plate shows a TN-06 registration while the rear shows a MH-06 registration. During flashback the numbers are back to MH-06 on both sides, wow, this is a mystery which the producer could take up in a sequel. Lot is expected from a person of Bharathiraaja's calibre, he's carved a niche for himself and I still believe no one can narrate a story set in a rural town like him. No one can bring out emotions of a brother & sister like him, all these require melodrama in varying amounts. A slick thriller needs action, it's needs a racy screenplay which is not jerky or full of holes, it needs suspense and a good finale. This movie has none of the above, it's fast, but it's fast like a town bus doing 90 kmph on village roads, you keep getting pushed around, your head bangs the sealing, you get a bum ache.

There are tiny surprises, probably to compensate for the 50 bucks one pays to get to see it. The heroine Rukmini is a revelation, Nana Patekar does what he's known for which is 'act'. Nizhalgal Ravi's dubbing for him was a little over done. Himesh's music is a damp squib, Monty's background score had a couple of nice tunes. It was nice to see "Audiography - H Shridhar" on screen despite the fact that the sound effects were overdone. Give us another earthy fare Mr.Bharathiraaja, we deserve better for being your fans over the years.

Hunter or Farmer?

Do you want to be a hunter or a farmer? Coming soon !!!!!

Requiescat in pace - H Sridhar

The demise of H Sridhar has come as a rude shock to all fans of Indian music, South Indian in particular. Winner of 4 national awards for Mahanadhi, Dil Se, Lagaan & Kannathil Muththamittal, H Sridhar was one of those rare breed of sound engineers who were trained in music too. Born on 31st Mar 1960, HS was just 48 yrs old when his end came. I read on the internet that he returned back home at 2 AM after working on the soundtrack of 'Ghajini' and didn't wake up from his sleep. The doctors declared him dead around 1000 AM and the reason was attributed as a cardiac arrest.

South Indians in particular are known to look out for names of technicians and the name of H Sridhar as Sound Designer / Sound Engineer / DTS mix was a sure fire indication of top notch sound mix on multichannel soundtracks. Media Artists, an organisation which pioneered the use of DTS as movie soundtrack formats, was H Sridhar's main umbrella. H Sridhar has also mixed / engineered almost all of AR Rahman's soundtracks. It's simply no surprise that out of the 4 national awards he has won, the music for 3 were scored by AR Rahman.

We have all the technology one would need to create a near perfect sound for CD / DVD, HS belonged to an era that had to work hard at achieving that. It's probably from there that the sense of achieving higher things would have imbibed into his system, every movie mixed by him had his stamp on it. His presence will surely be missed by the industry, DTS technologies owes it's success in India majorly to Real Image and H Sridhar who worked to create some of the best software in DTS in our times.

# All pics used in this post are from KJ Singh's collection and permission is awaited for using this here. Content will be removed if objection is raised by the owner.