The Sahara Force India Formula 1 team

Yesterday Force India announced the sale of 42.5% of the team to the Sahara group. Dr Vijay Mallya retains 42.5% while Michel Moi keeps 15 % of the remaining shares. This would mean Dr Vijay Mallya has given up 7.5% of his shares while Moi’s family has given up 35% of theirs. The whole deal is valued at $100 million which is offloading equity for more than double the price it was purchased. In Sep 2007 the old Spyker F1 team became Force India F1 (FIF1), the deal then was rumoured to be around $80 million.

Dr Vijay Mallya vehemently denied reports in the media about a possible sale 5 days ago, his statement was cleverly worded in which he said “As Team Principal, I will continue to run the team and I have no plans whatsoever to exit.” He continues to remain Team Principal while Subrata Roy becomes Chairman of the team. It’s a wonderful opportunity for Sahara to continue making new inroads with it’s branding effort. It already has high brand recall and visibility being associated with sports in India, cricket being the biggest and with Formula 1 it gets to create a new identity in luring the motor racing fan and in creating a new fan base for the sport in the country.

Its well known that the aviation business of the UB group is in a crisis with the airline defaulting on many payments and looking for cash infusion to keep them afloat. The partial sale of equity in the formula 1 team could be part of a long term plan for the group in finding a honourable exit from the extremely cash hungry sport. It’s also a clear indication of the Moi family’s intentions, from being 50:50 partner to retaining just 15% stake.

The media in India has been more than glowing in its coverage of the Force India F1 team, probably because of the UB groups big advertisement budget and Dr Vijay Mallya’s cloud. In the past I’ve pointed out how the Force India F1 team wasn’t “indian” at all. Atleast that part changes a wee bit with the Sahara group’s entry. The media hasn’t bothered to question Dr Vijay Mallya when he loudly claims he brought the race to India. They won’t ask him how his team is Indian at all except for all the Kingfisher models who show up in the paddock on race weekends. Let’s hope more engineers, technicians and eventually at least one Indian driver gets to drive a Sahara Force India Formula 1 car. Until then … let’s wait and watch.

Geo’s talkies – Departures (Japanese)

Departures was the winner in the best foreign film category at the Oscars in 1999. The movie is based on a novel titled Coffinman and was directed by Yojiro Takita and has English subtitles.

Daigo Kobayashi is a cellist with a modern Japanese orchestra which closes down due to lack of patronage. This leaves Daigo without a job and forces him to sell his costly and professional cello, move to the town he was born in to occupy the house left back by his deceased Mother. Daigo responds to an advertisement about a job with Sasaki and manages to bag it only to realize it wasn’t what he thought it to be. The job is to prepare dead bodies for burial, encoffination is the term used by some.

Reluctant Daigo learns the trade from his boss Sasaki, a man of few words but who portrays immense respect for the dead and living, who meticulously work on dead bodies with respect to wash, clean, clothe and make them look their best in the last few moments left on Earth. Daigo’s wife Mika doesn’t like his job when she get’s to know it, he becomes a pariah with the only other association he’s shown to have in the movie.

Daigo nurtures an almost perfect relationship with his boss and eventually learns to respect and practise his trade with art like precision. Having raised by a single mother, he nurses a grudge for his Father who deserted them while he was a child. His wife leaves him asking him to decide if he wants to continue the profession or live with her.

There isn’t too much dramatic tension in the narrative, all such setups are resolved before they can sink in. The movie has been shot very beautifully with classical or classical-like orchestral music to back up the shots. The third movement (popularly known as Ode to Joy) from Beethoven’s 9th plays in it’s full 6 track glory in the early section of the movie showing Daigo’s orchestra. Daigo find more music and looks inward as his learning of his trade progresses.

The ending reunites Daigo back with his wife and brings closure to his inner turmoil in a very nice way. The Japanese have made an art of folding paper, which goes by the name Origami. Even routine and mundane activities like manufacturing in an assembly line is practiced like an art in Japan. It’s hence not very surprising to see how much of a care and devotion is laid out to prepare dead people and give them a fitting farewell from this world.

There are many scenes that stand out due to content that’s emotional or soul stirring. A dead wife’s husband crying “Naomi”, Daigo’s boss Sasaki’s methods while working, Mika starting to take pride in her husband’s profession, the Japanese people’s liking for good food, all have been portrayed exquisitely. A scene depicting salmon trying to swim up a river while dead one’s float downstream is profound in meaning. The scene where Sasaki & Daigo show up 5 minutes late to be shouted at mirrors the fact that the Japanese are sticklers for punctuality.

Departures is a must watch on any movie lover’s list, for the way characters have been laid out and made to play; around the theme of mortal certainity, of death and loss, yet would make you exclaims “What a beautiful movie!” instead of anything negative.